The most captured photo on the planet must be sunset/sunrise shots and there's a good reason for that. It's mother nature's best work of art. The colors can be stunning and the light, perfect. To capture those unique moments in a photograph, you could set your camera in AUTO but you'll probably end up being quite disappointed with the results. If you'd like to take professional looking photos then lets go through some of the basics together.
I’ve listed 7 steps to make it more “user friendly” and easier to follow. Let’s get started shall we?
Step 1 - Scouting: Sounds basic enough but this step is very important. It will save you a lot of time if you plan ahead and look for that perfect spot. Once you find a great rural or urban scape for your sunset and sunrise shots, don’t forget to look at where east and west are (sunrise & sunset respectively) and see if your perfect shot can be done. Also look at what times the sun actually rises and sets. The local weather station should be able to give you that information.
Step 2 - Setting your white balance (WB): This is a challenging one if you think that just selecting one WB setting will be perfect. The reason is simple. As the sun sets (or rises) the warmth of the light changes and if the warmth changes, the WB will change as well. Some photographers will put their WB to daylight by default and this usually gives nice warm tones. If you have a camera with presets, you might find a ’sunset’ preset. Use it because it has a preset WB setting just for this situation (usually close to daylight). If you shoot in RAW format (which I recommend if your camera gives you the option) you can manually adjust the WB in most photo post processing software like Adobe Photoshop™ or Lightroom™. Since I shoot in RAW, I don’t want to have to worry about changing my WB settings constantly so I keep it on Auto. I actually find the Auto setting on my Nikon D300 (and my previous D200) to be quite accurate. If you want to get a specific mood, I suggest that you take some test shots at various WB settings and look at what your camera’s LCD gives you.
Step 3 - Composition: As for any shots, composition plays a major role in your photography. For sunsets, we have a tendency to shoot in landscape format (horizontal) and that’s good but I can also suggest to take a few shots in portrait mode (vertical). It will give you a new perspective that could be interesting. We also usually center the sun by default so lets try applying the rule of 3rds and off-centering both the sun and the horizon. Last but not least, try to keep your shot simple. Avoid too many unwanted clutter in your frame. Remember what the focus of your shot is. For more information on composition click here to visit Jodie Coston’s tutorial. It’s simple and to the point.
Step 4 - Exposure: If you’re looking for rich vibrant colors, try underexposing your shot between 1 and 2 stops. You can do that easily if you have an EV (Exposure Value) button on your camera. Just bring it down to -1 and see if you need to go lower. It’s a question of personal taste at this point. To create a different effect, you could try overexposing your shot. This will give you more pastel looking colors. In some situations, it can give a great feel to the image.
Step 5 - Don’t look straight at the sun!: That’s very important. We don’t naturally look directly at the sun but with a camera, looking through the viewfinder, we are instinctively prone to take our time and compose our shot. Try to compose quickly and when doing so, not looking directly at the sun in your frame. Focus your eye on the foreground or another object in the frame. You could cause irreversible damage even complete blindness.
Step 6 - Don’t leave with the sun: Most people will get their shots while the sun is still visible and then pack up and leave. Ok, you got some good shots, but Mother Nature hasn’t finished painting her canvas just yet! Some of the richest colors can occur after the sun has set (or before it rises). You can get great silhouette shots by underexposing them. Bring your tripod along as well as it will get darker pretty quickly and you’ll need longer shutter speeds.
Step 7 - Look behind you: Yes, you heard me right. Turn around and see where that lovely sun is painting. You just might find a surprisingly beautiful scene. It could be a wheat field like seems on fire or a reflection in a window. Remember that the best light to shoot in is when the sun is at its lowest (ie: sunset & sunrise). So snoop over your shoulder and you might just find your perfect shot of the day.
You can view this tutorial and many more at Yanik's Photo School.
*N.B. The images have a watermark on them because most are for sale (even low res web versions) at various stock agencies. By respect for my clients, I have added watermarks. All comments complaining about the use of watermarks will be deleted as it doesn't add value to this Knol. Thank you for your understanding.
I’ve listed 7 steps to make it more “user friendly” and easier to follow. Let’s get started shall we?
Step 1 - Scouting: Sounds basic enough but this step is very important. It will save you a lot of time if you plan ahead and look for that perfect spot. Once you find a great rural or urban scape for your sunset and sunrise shots, don’t forget to look at where east and west are (sunrise & sunset respectively) and see if your perfect shot can be done. Also look at what times the sun actually rises and sets. The local weather station should be able to give you that information.
Step 2 - Setting your white balance (WB): This is a challenging one if you think that just selecting one WB setting will be perfect. The reason is simple. As the sun sets (or rises) the warmth of the light changes and if the warmth changes, the WB will change as well. Some photographers will put their WB to daylight by default and this usually gives nice warm tones. If you have a camera with presets, you might find a ’sunset’ preset. Use it because it has a preset WB setting just for this situation (usually close to daylight). If you shoot in RAW format (which I recommend if your camera gives you the option) you can manually adjust the WB in most photo post processing software like Adobe Photoshop™ or Lightroom™. Since I shoot in RAW, I don’t want to have to worry about changing my WB settings constantly so I keep it on Auto. I actually find the Auto setting on my Nikon D300 (and my previous D200) to be quite accurate. If you want to get a specific mood, I suggest that you take some test shots at various WB settings and look at what your camera’s LCD gives you.
Step 3 - Composition: As for any shots, composition plays a major role in your photography. For sunsets, we have a tendency to shoot in landscape format (horizontal) and that’s good but I can also suggest to take a few shots in portrait mode (vertical). It will give you a new perspective that could be interesting. We also usually center the sun by default so lets try applying the rule of 3rds and off-centering both the sun and the horizon. Last but not least, try to keep your shot simple. Avoid too many unwanted clutter in your frame. Remember what the focus of your shot is. For more information on composition click here to visit Jodie Coston’s tutorial. It’s simple and to the point.
Step 4 - Exposure: If you’re looking for rich vibrant colors, try underexposing your shot between 1 and 2 stops. You can do that easily if you have an EV (Exposure Value) button on your camera. Just bring it down to -1 and see if you need to go lower. It’s a question of personal taste at this point. To create a different effect, you could try overexposing your shot. This will give you more pastel looking colors. In some situations, it can give a great feel to the image.
Step 5 - Don’t look straight at the sun!: That’s very important. We don’t naturally look directly at the sun but with a camera, looking through the viewfinder, we are instinctively prone to take our time and compose our shot. Try to compose quickly and when doing so, not looking directly at the sun in your frame. Focus your eye on the foreground or another object in the frame. You could cause irreversible damage even complete blindness.
Step 6 - Don’t leave with the sun: Most people will get their shots while the sun is still visible and then pack up and leave. Ok, you got some good shots, but Mother Nature hasn’t finished painting her canvas just yet! Some of the richest colors can occur after the sun has set (or before it rises). You can get great silhouette shots by underexposing them. Bring your tripod along as well as it will get darker pretty quickly and you’ll need longer shutter speeds.
Step 7 - Look behind you: Yes, you heard me right. Turn around and see where that lovely sun is painting. You just might find a surprisingly beautiful scene. It could be a wheat field like seems on fire or a reflection in a window. Remember that the best light to shoot in is when the sun is at its lowest (ie: sunset & sunrise). So snoop over your shoulder and you might just find your perfect shot of the day.
You can view this tutorial and many more at Yanik's Photo School.
*N.B. The images have a watermark on them because most are for sale (even low res web versions) at various stock agencies. By respect for my clients, I have added watermarks. All comments complaining about the use of watermarks will be deleted as it doesn't add value to this Knol. Thank you for your understanding.












Mohammed AlAli
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nice article
Peter Zavislak
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Thanks
I also recommend altering levels to drop dark colors from the photo to focus on the colors and light of the sky. I have a few examples at my website here: http://pzavislak.goo
Evan
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great